Pygmalion and Pretty Woman Essay - 2854 Words.
The intended audience of both Pygmalion, by George Bernard Shaw and Pretty Woman, directed by Garry Marshall was the mass of society at the time of composition. This is seen through the choice of the form of each text, Pygmalion is a play because in the early twentieth centaury this was the popular way of spreading ideas and Pretty Woman is a Hollywood film, a current form of mass media today.
ORIGINS OF PYGMALION Relationship between the text and its culture Pygmalion Social hierarchy of the 20th century: Pretty Woman Different ways the texts have been responded to PLOT SIMILARITIES Any questions? - Future aspirations change for the protagonists. - Meeting the rich.
The popular romantic comedy Pretty Woman, directed by Gary Marshall is a story of how members of two different social classes meet and are forced to learn about each other's way of life. Edward, (Richard Gere) is the upper-class businessman who coincidentally meets Vivian, (Julia Roberts), a lower-class prostitute, while trying to find his way back to his hotel after a fancy gathering of co.
Contextual attitudes and values regarding gender and class in Pretty Woman (1990), directed by Garry Marshall, and Pygmalion (1913), written by George Bernard Shaw, are predominantly maintained throughout both texts, although minor adaptions have been made to preserve contextual relativity. The power inequality in relation to gender is clearly existent in both texts, whilst first.
Pygmalion and Pretty Woman: Two Interpretations of Ancient Story. Table of Contents. We can write an original essay just for you; Order Custom Essay; Related posts: The Greek Myth of Pygmalion, about a sculptor and the woman he creates and falls in love with, has been appropriated into various texts of different times and made relevant to a wide range of audiences. In particular, George.
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Pygmalion's perfect woman can only be attained with an artificial construct, a sculpture. Similarly, the ideal noble lady of British society in the world of Shaw's play is a kind of fake, only a role that Eliza must learn to play. Pygmalion can thus be seen as showing how oppressive unrealistic ideals of femininity can be: to attain these ideals, Eliza has to be coached, disciplined, and.